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Neatly placed on Gerard Drive, a attenuated peninsula on the arctic end of East Hampton, sits autogenous artisan Lukas Machnik’s weekend and summer getaway. For the artist, curator, designer, and TV personality (he’s the division 1 champ of NBC’s American Dream Builders), the Hamptons is a abode to footfall back, booty a altered angle on circadian life, and reflect on what’s to come.

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Of course, for accession with their own autogenous architectonics firm, outfitting your own amplitude can be a alarming anticipation — one that Machnik has embraced. From the ample and aerial active amplitude to the dining room, both of which accept become angelic absorbing spaces for Machnik and his partner, the anxiously curated apartment acquiesce for angled angle of the baptize and bright ablaze from brightening to sundown. Machnik’s part-minimalist, part-Bauhaus, part-avant-garde artful shines through, acceptable one with attributes through accoutrement he either created himself, apparent amid his abounding travels, or sourced from his best admired peers.

Ahead, Machnik gives a peek central his home in GRAZIA USA’s March affair (on newsstands now). 

GRAZIA USA: Tell me a bit added about you and your work.

Lukas Machnik: In general, [when it comes to] my convenance and my background, it’s a minimalist architectonics approach. It’s about altered items. It’s not about block trends, and added about creating these bigger environments that are not a cookie-cutter thing. But, anniversary home acutely has its own history and the applicant is accession allotment of the free agency of how things are activity to assignment in the space. The way that I work, it’s about like an art accession for me as well, because the added allotment of my accomplishments is accomplished arts. In accession to autogenous design, I’m a painter, photographer, sculptor, and artefact designer, so it’s affectionate of an all-embracing comedy on beheld aesthetics.

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G: Which came first? The accomplished arts or autogenous design?

LM: Accomplished arts. I’ve been belief arts aback I was actual adolescent in Europe. That was consistently my focus of education, and at one point aback I confused to United States about 20 years ago, I started acumen that maybe accomplished arts are not necessarily the way to accept a acknowledged career in activity adapted away. It’s a abundant added difficult process. I accidentally stumbled into autogenous design, and I enjoyed the action of it. I was self-taught. I’ve consistently formed for myself and that affectionate of became my meal ticket, so to speak. I started my aggregation 18 years ago, and the blow is history. I’ve additionally been designing furniture, activity aback to my practice. I acclimated to accept a arcade in Paris at one point. So, it’s affectionate of been an analysis of all those beheld aspects in accustomed life.

G: What would you say aggressive the artful of your home?

LM: This home decidedly is a summer house. It’s meant to be affectionate of like a bank shack, so to speak. But, the dictating point in the architectonics of this home was to actualize it to accomplish it feel actual easy, laid-back, after authoritative it feel like it’s a actual aboriginal home. It bare to feel affable at the aforementioned time, not too precious. So, it’s a modernist bohème chic. We affectionate of antic that it was a attic on the water.

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G: What would you say is your admired allowance in the house, and why?

LM: I love, obviously, the capital room, but the dining allowance and the active breadth are additionally two of my favorites. The abode is in an breadth alleged Gerald Drive in East Hampton, which is this actual angular island, so you are amidst by baptize on all sides. In the morning, you get the aurora in the east advancing in from one beach, and afresh the sun campaign all the way through to the west, which is breadth the active allowance and dining breadth are. You get these absurd sunsets and it’s such a big allotment of what this abode is. I adulation entertaining, so in every one of my homes — alone and or audience — I consistently accept actual ample dining tables. I anticipate it’s actual important for bodies to get about the table, and I anticipate it’s a altered acquaintance of administration time calm aback you are administration a meal. The baptize itself is aloof so beauteous to attending at amid the dining allowance and the active room, breadth I adulation authoritative fires in the winter and aloof accidentally sitting on the floor, or lounging on the daybed that’s in there for reading, or aloof demography an afternoon nap. That allowance becomes the centermost of the abode and that’s why the accessible abstraction for it was the key to authoritative this the common space.

G: It does assume like a home that is meant to acceptable the visitor, not aloof to be observed.

LM: Yes. I absolutely adulation cooking, too. I adulation flavors. I amount out how to accomplish things, and I adulation aloof absorbing people, but baking is the worst, it requires a barometer cup, and I like to affectionate of go by, “Okay, this is how it tastes. This is how it’s activity to be.” Activity aback to the table, it’s absolutely one of my designs. I use it generally in autogenous design. It’s a actual simple minimalist table concept. This accurate one is fabricated out of pine, so it has this Nordic feel to it, but afresh I stain it with Japanese ink so that it has this absolutely abysmal atramentous assimilation and acutely matte activity and accomplishment to it. So again, that table is not about actuality adored and annoying about smudging it or putting your coaster on it. It’s about this accomplished abode is advised to be lived in, and there’s no absorbed whatsoever to use a coaster or to accomplish it feel too precious. 

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G: Do you acquisition it harder or easier to architectonics your own amplitude compared to designing spaces for clients?

LM: Well, the central antic is that I am my affliction client. As a creative, you’re apparent to so abounding altered things, and you see so abundant that it is absolutely adamantine to acquisition the adapted things for the house. We see so much. I additionally biking a lot, and I aggregate a lot, so there are times aback I go into my account and see that I accept things that maybe wouldn’t assignment for the altered house. But, the better client, I think, in general, in what I do, is the architecture, the house. The abode itself dictates the administration that we’re activity to go in, and this abode acutely dictated the direction. I was actual undecisive with assertive things. In the active room, the two chairs adverse the fireplace, I anticipate I went through six or seven options until we landed on these chairs. Funny adventure about those chairs, actually: I bought those best Italian chairs, and I didn’t like the finish, so one afternoon, we thought, “Well, are we activity to resand them and about-face them black?” And, we concluded up demography a blowtorch and blaze the chairs black.With my claimed homes in general, there is a plan; however, things change. With the bookcases there in the active room, they consistently get re-edited and confused around, and I accompany in altered pieces. So, sometimes assertive genitalia become a revolving accession that changes around, because I might, in the winter, accept a feel for these assertive altar about me because they are added adapted aural the mural of attributes in the winter. And then, in the summertime, it ability be afflicted about to article altered that is added adapted for a warmer climate. So, I would say all my homes in accepted are consistently a assignment in progress, and the antic is that they’re accomplished aback I’m accessible to move.

G: Do you accept a dream amplitude or area that you would adulation to architectonics or like to assignment in?

LM: Yes. Actually, one of my admired cities is Marrakesh. I adulation to absorb as abundant time as accessible in Marrakesh, and for me the big dream was consistently to accept a riad in the Medina and aloof assignment with article that is a ruin, restore it, and affectionate of assignment with the age-old activity that that burghal has. I anticipate that it’s affectionate of a draw to me, too, because I adulation age-old civilizations. I adulation Japan for the acumen of things actuality accepted that were [current] 1,000 years ago. It’s about the textures and things that are not perfect, but time has accustomed them the patinas that cannot be duplicated.

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Pick up GRAZIA USA’s March 2022 affair on newsstands and email contact@graziausa.com to subscribe.

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